{"id":3866,"date":"2024-11-01T18:22:06","date_gmt":"2024-11-01T17:22:06","guid":{"rendered":"https:\/\/www.ozmotic.it\/new\/?post_type=portfolio&#038;p=3866"},"modified":"2024-11-01T18:22:09","modified_gmt":"2024-11-01T17:22:09","slug":"senzatempo","status":"publish","type":"portfolio","link":"https:\/\/www.ozmotic.it\/new\/works\/senzatempo\/","title":{"rendered":"SENZATEMPO"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_heading  avia-builder-el-first   container_wrap sidebar_right'  ><div  class='avia-slideshow av-ws5pw9-2d54f4cb30f5b36ddd1e00f70105ac7a avia-slideshow-no scaling av_slideshow_full avia-slide-slider av-slideshow-ui av-control-default av-slideshow-manual av-loop-once av-loop-manual-endless av-default-height-applied   avia-slideshow-1' 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itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST.png 2526w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-300x67.png 300w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-1030x229.png 1030w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-768x171.png 768w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-1536x341.png 1536w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-2048x455.png 2048w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-1500x333.png 1500w, https:\/\/www.ozmotic.it\/new\/wp-content\/uploads\/2024\/11\/HeadlinerST-705x157.png 705w\" sizes=\"(max-width: 2526px) 100vw, 2526px\" \/><\/div><\/li><\/ul><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3866'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-sqlg7d-166bc385b0b384f2f18bfdc6903a5cce\">\n#top .av-special-heading.av-sqlg7d-166bc385b0b384f2f18bfdc6903a5cce{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-sqlg7d-166bc385b0b384f2f18bfdc6903a5cce .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-sqlg7d-166bc385b0b384f2f18bfdc6903a5cce .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-sqlg7d-166bc385b0b384f2f18bfdc6903a5cce av-special-heading-h1 meta-heading  avia-builder-el-1  el_after_av_slideshow_full  el_before_av_one_third  avia-builder-el-first '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >SENZATEMPO<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div  class='flex_column av-qri2ux-c742ac8eadbd6a5401e66bdd296f332c av_one_third  avia-builder-el-2  el_after_av_heading  el_before_av_two_third  first flex_column_div  '     ><section  class='av_textblock_section av-q6047d-32237f39611cc355b1de00d35d8179b5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><span style=\"color: #333333;\">\u201cSENZATEMPO\u201d <\/span><span class=\"s1\">is the second album, the first of this project released by Touch, resulting from the collaboration between OZMOTIC and Christian Fennesz. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Over the last ten years of both record and concert collaborations, Ozmotic and Fennesz have built an aesthetic and creative affinity that allows them to dialogue within an increasingly defined musical context that now results in an identity sound: an authentic trio that makes this album a point of arrival and at the same time a starting point for a new artistic evolution of their project. <\/span><\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The music of \u201c<span style=\"color: #333333;\">SENZATEMPO<\/span>\u201d moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span style=\"color: #333333;\"><div  class='hr av-noet3d-92d51826a8e68078c509e892515b3150 hr-short  avia-builder-el-4  avia-builder-el-no-sibling  hr-left'><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/span><\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>12\u2019 Vinyl \/ Digital &#8211; 4 tracks &#8211; 35:17 [Touch Tone 80]<br \/>\nRelease date: 14 April 2023<\/p>\n<p>Track listing: Side A<\/p>\n<p>1. Senzatempo<br \/>\n2. Floating Time<\/p>\n<p>Side B<br \/>\n3. Motionless<br \/>\n4. Movements: I &#8211; II<\/p>\n<p>All music by Ozmotic | Fennesz<\/p>\n<p>Recorded 19\/21 November 2021 in Turin, Italy at Superbudda Studio<br \/>\nAudio engineer Edoardo Fracassi<\/p>\n<p>Cut by Jason @ Transition<\/p>\n<p>Photography + design &#8211; Jon Wozencroft<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/section><\/div><div  class='flex_column av-jp5hih-ed131365e97c6ab68f6b1908ac999d54 av_two_third  avia-builder-el-5  el_after_av_one_third  el_before_av_one_full  flex_column_div  '     ><p><div  class='tabcontainer av-i16x6h-3c860f2189acff0634714a3bae265b14 top_tab  avia-builder-el-6  el_before_av_tab_container  avia-builder-el-first '>\n<section class='av_tab_section av_tab_section av-fbn9fd-e72521fe908ddc2a10406571e52ec600'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-1-tab' class='tab active_tab' role='tab' aria-selected=\"true\" tabindex=\"0\" data-fake-id='#tab-id-1' aria-controls='tab-id-1-content'  itemprop=\"headline\" >Elusive Balance Mixtape<\/div><div id='tab-id-1-content' class='tab_content active_tab_content' role='tabpanel' aria-labelledby='tab-id-1-tab' aria-hidden=\"false\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1229670712&amp;color=%23598147&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"OZMOTIC\" href=\"https:\/\/soundcloud.com\/ozmotic-1\" target=\"_blank\" rel=\"noopener\">OZMOTIC<\/a> \u00b7 <a style=\"color: #cccccc; text-decoration: none;\" title=\"MIX TAPE SENZATEMPO (OZMOTIC | FENNESZ)\" href=\"https:\/\/soundcloud.com\/ozmotic-1\/mix-tape-senzatempo-ozmotic-fennesz\" target=\"_blank\" rel=\"noopener\">MIX TAPE SENZATEMPO (OZMOTIC | FENNESZ)<\/a><\/div>\n<\/div><\/div><\/section>\n<\/div><br \/>\n<div  class='tabcontainer av-do1rrt-cad1deb3fbbe3eafea22f191a90cde9b top_tab  avia-builder-el-7  el_after_av_tab_container  avia-builder-el-last '>\n<section class='av_tab_section av_tab_section av-cmo6ex-6d15a424df65abdeeb899de0123408ac'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div id='tab-id-2-tab' class='tab active_tab' role='tab' aria-selected=\"true\" tabindex=\"0\" data-fake-id='#tab-id-2' aria-controls='tab-id-2-content'  itemprop=\"headline\" >SENZATEMPO <\/div><div id='tab-id-2-content' class='tab_content active_tab_content' role='tabpanel' aria-labelledby='tab-id-2-tab' aria-hidden=\"false\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZU3V0DBJr90?si=0FOqw78Y-LU1qEFi\" width=\"640\" height=\"320\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div><\/div><\/section>\n<\/div><\/p><\/div><div  class='flex_column av-7ti1eh-7c6475b3ac181ec8fafbdfcd39c8fb8e av_one_full  avia-builder-el-8  el_after_av_two_third  el_before_av_one_full  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-5q3hmx-3d8cb893c480b54b4b070d03b0ce30db '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div class=\"page\" title=\"Page 1\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>\u201c<span style=\"color: #333333;\">SENZATEMPO<\/span>\u201d became a lockdown record. In 2019, a year after our last concert as a trio with Christian Fennesz, the release of his \u201cAgora\u201d and our first publication for Touch \u2013 \u201cElusive Balance\u201d \u2013 we met in Milan. We talked about ongoing projects, the evolution of our musical language and, as is often the case when we are all three together, the more frenetic and superficial aspects of contemporary society, the difficulty of letting ideas and projects mature and how music could still play a constructive role in that context. We left each other with the intention of talking at a distance about a new project, to be developed calmly, without any hurry.<\/p>\n<p>In the months that followed, after e-mails in which we continued to discuss the project, we decided to work on the perception of time and to focus our attention on those periods of life in which time tends to dilate, to lose its boundaries, dedicating ourselves to the project without the fear of resting on indefinite moments of stasis \u2013 trying to take the time of creation as an ally, making the most significant ideas \u2018sprout\u2019, distilling emotions and crystallising them slowly.<\/p>\n<p>Catapulted into the first wave of the pandemic, we began to work at a distance. We exchanged different types of sound materials, sometimes raw sometimes more structured and with Christian we tried to give musical form to a surreal calm, at the same time as magmatic, uncertain emotional states. In this phase of collective confusion and almost total isolation, the first drafts of \u2018Senzatempo\u2019 and \u2018Movements I\u2019 were born. In both tracks, we tried to structure chordal waves and melodies inlaid with counterpoints with broad architectures and sinuous movements, in a sort of \u2018rubato\u2019, with the idea of creating an orchestral breath to the entire album.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>\u2018Senzatempo\u2019 is characterised by a dream melody with a dense and continuous dialogue between a sharp guitar and percussive sounds floating on an abstract and flexible pulse. \u2018Movements I\u2019, later transformed into a two-part suite, is airy and meditative; an initial acoustic shock leads to a melody resting on relaxed chords and enveloping sounds studded with noise, glitches and fragments of field recordings.<\/p>\n<p>After this initial work, we wanted to organise a studio session, but pandemic restrictions forced us to postpone and leave the music to mature further. The following summer, thanks to a residency project for young artists centred on the Senzatempo project and conducted by Christian and ourselves in central Italy, the opportunity arose for the first time to play the material produced thus far, and to experiment and focus on new musical ideas.<\/p>\n<p>In November 2021, after a concert we did in Turin, we finally devoted ourselves to the drafting of the album in a studio session lasting some days. The final versions of the first two tracks were created, with the addition of a second part to \u2018Movements I\u2019, and \u2018Floating Times\u2019 and \u2018Motionless Image of Eternity\u2019 came into being.<\/p>\n<p>In \u2018Floating Time\u2019, clouds of micro-sounds envelop an iridescent, sinuous melody in a sonic space delimited by sculpted percussive sounds. Lost memories seem to resurface. The end of the track takes up the beginning in a kind of \u2018rondo\u2019. \u2018Motionless\u2019 is counterpointed by telluric percussive sounds in a complex and detailed atmosphere. It seems as if nothing is moving in this sea of sound on which the guitar floats, when in fact everything is in motion in a simmer of textures and melodies that embroider counter-songs to the main refrain.<\/p>\n<\/div>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/section><\/div><div  class='flex_column av-ekrrd-4af58fb1bc6af71aafe2217c62b41016 av_one_full  avia-builder-el-10  el_after_av_one_full  avia-builder-el-last  first flex_column_div  column-top-margin'     ><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":3834,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[23,24],"class_list":["post-3866","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_entries-music","portfolio_entries-musicvideo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.7 - 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